![]() For instance, in Nanook of the North Flaherty did not allow his subjects to shoot a walrus with a nearby shotgun, but had them use a harpoon instead. Flaherty's Nanook of the North in 1922, documentary film embraced the artistic trends of romanticism (emotionalism, celebration of the traditional, human passions and shortcomings, etc.), Flaherty filmed a number of these documentary films during this time period, often showing how his subjects would have lived 100 years earlier and not how they lived right then. Grierson's definition of documentary as "creative treatment of actuality" has gained some acceptance, though it presents philosophical questions about documentaries containing stagings and reenactments. ![]() Early documentary film critic, Grierson's principles of documentary were that cinema's potential for observing life could be exploited in a new art form that the "original" actor and "original" scene are better guides than their fiction counterparts to interpreting the modern world and that materials "thus taken from the raw" can be more real than the acted article.
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